In the central panel at the top, we see the deceased woman, Wehemnefret, sitting in front of a table laden with bread slices. The slices are depicted vertically, as the conventions of Egyptian art prescribe. Immediately below the panel, on the left side of the lintel of the false-door, is the name of the deceased preceded by titles and epithets stressing that she is a member of the royal family: “The daughter of the king, beloved by him, honored before her father, honored before her mother.” On the outer jambs are several pairs of individuals facing towards the middle of the stela. In the four upper panels, these individuals are high-ranking officials and courtiers, as befits the importance of the deceased. Some have names incorporating royal names (surrounded by the oval called “cartouche”): “May-Cheops-live” or “The-beautiful-female-in-the-following-of-Snefru.” The nude child with his finger to his mouth on the right inner jamb, above, is identified by the inscription as Irenptah, the deceased’s grandson (“the son of her son”). In the other panels are individuals carrying various kinds of offerings and priests charged with the performance of the funerary cult.
